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Jan Steen Grace Before a Meal 1660
Sudeley Castle, Gloucestershire
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Jan Steen Easy Come, Easy Go 1661
Museum Boymansvan Beuningen, Rotterdam
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Jan Steen The Doctor's Visit 1663-65
Philadelphia Museum of Art
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Jan Steen Rhetoricians at a Window 1662-66
Philadelphia Museum of Art
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Jan Steen The Schoolmaster 1663-65
National Gallery of Ireland, Dublin
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Jan Steen Inn with Violinist Card Players 1665-68
The Collection of Her Majesty Queen Elizabeth II
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Jan Steen The Dissolute Household 1668
Wellington Museum, London
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Jan Steen Card Players Quarreling 1664-65
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Jan Steen The Lovesick Woman 1660
Alte Pinakothek, Munich
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Jan Steen The Artist's Family Mauritshuis, The Hague
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Jan Steen Skittle Players Outside an Inn 1652 National Gallery, London
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Jan Steen Bathsheba Receiving David's Letter
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Jan Steen Beware of Luxury 1660-63
Art History Museum, Vienna
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Jan Steen The Dissolute Household Metropolitan Museum of Art, New York
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Jan Steen Merry Company on a Terrace Metropolitan Museum of Art, New York
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Jan Steen Grace Before Meat Belvoir Castle, Leicestershire
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Jan Steen The Feast of St.Nicholas 1665-68
Rijksmuseum, Amsterdam
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Jan Steen Rhetoricians at a Window (mk08) c.1662-1666
Oil on canvas
74x59cm
Philadelphia,Philadelphia Museum of Art
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Jan Steen The Lovesick Woman (mk08) c.1660
Oil on canvas.
61x52.1cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
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Jan Steen The Word Upside Down (mk08) c.1660
Oil on canvas
105x145cm
Vienna,Kunsthistorisches Museum
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Jan Steen
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Dutch Baroque Era Painter, ca.1625-1679
Daily life was Jan Steen's main pictorial theme. Many of the genre scenes he portrayed are lively to the point of chaos and lustfulness, even so much that a Jan Steen household, meaning a messy scene, became a Dutch proverb (een huishouden van Jan Steen). Subtle hints in his paintings seem to suggest that Steen meant to warn the viewer rather than invite him to copy this behaviour. Many of Steen's paintings bear references to old Dutch proverbs or literature. He often used members of his family as models. Jan Steen painted also quite a few self-portraits, in which he showed no tendency of vanity.
Steen did not shy from other themes: he painted historical, mythological and religious scenes, portraits, still lifes and natural scenes. His portraits of children are famous. He is also well known for his mastery of light and attention to detail, most notably in textiles. Steen was prolific, producing about 800 paintings, of which roughly 350 survive.
Steen's work was valued much by contemporaries and as a result he was reasonably well paid for his work. He did not have any students, but his work proved a source of inspiration for many painters.
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